(SPOILER ALERT)
Freddy, who now has his powers back. This issue advances the story, but is nothing special. The Saturday morning sit-com tone is lessened for this issue. Overall, this issue earns another C.
(SPOILER ALERT)
Freddy, who now has his powers back. This issue advances the story, but is nothing special. The Saturday morning sit-com tone is lessened for this issue. Overall, this issue earns another C.
Meanwhile some US Marshalls, including one who looks a lot like Gary Oldman's version of James Gordon, use fingerprints to find out Bruce really isn't the Firefly. They head to Arkham to interrogate him. Meanwhile Crane is juicing up Blockbuster (played by... Arnold Schwarzenegger??) and sends him into Dr Q's clown themed group therapy session with Bruce and Maynard. Blockbuster is triggered by clowns and goes berserk.
Escaping Blockbuster, Bruce tells the group to head to the roof while he goes to look for a sample of the fear formula and Maynard goes to look for Kashif. Crane, in full Scarecrow regalia attacks the Police. Dr. Q decides to pull of a publicity stunt. Meanwhile Bruce and Maynard get to the roof and meet Drake, in a pesudo-Nightwing costume. He brought Bruce's Batman costume, and he suits up in a very Iron Man-Tony Stark kind of way.
Again this issue, there is a lot of plot to process. I think Sam Hamm might be putting too much plot into each issue. Joe Quinones artwork, as usual is great. This issue earns a B-.
Later, at Police HQ, the security footage of Lowery is played on TV, and Barbara Gordon ("played" by ...possibly Winona Ryder? Maybe Sean Young? Demi Moore? Kind of hard to tell) recognizes Robert Lowery is really Bruce Wayne. She is about to go to Wayne Manor to confront Alfred about this, but is intercepted by a pair of FBI agents who arrest her regarding a mysterious bank account.
Meanwhile, Lowery is brought in to Dr. Crane's office and is told about footage of him airing on TV. Crane suspects Lowery isn't who he says he is, and uses fear gas on him to get him to confess. Lowery admits 'I'm Batman". But Crane doesn't believe him.
A lot of story packed into this issue, and well done by both writer Sam Hamm and artist Joe Quinones. This issue earns another B+
Falling a bit behind, so I will be reviewing issues 12 and 13 this time. Issue 12 has Billy and the Captain becoming separate beings, and they argue with each other. Mary and Freddy then take Billy to see his real mom, while the Captain tells the Flashpoint kids and Hoppy the Rabbit that Billy is the one who caused this magical leak. Meanwhile Billy finds out his mom is married and has another son. That crushes Billy, which causes the magical leak to explode. Billy changes to the Captain, and in stopping the leak, apparently become obliterated.
Issue 13 is narrated by Freddy, as he and Mary go searching for Billy. Freddy whines about not having powers any more. Mary as Mary Marvel fights monsters that are attacking a subway station. Billy is at that station, the monsters coming from the leak he has caused. Again, Billy and the Captain argue with each other. Billy says the way to stop the leak is for the power of Shazam to go to someone else. Mary continues to fight the monsters while Freddy attempt to get a runaway subway train under control. Mary is about to be defeated, when she is saved by....
...SPOILER ALERT.....
Uncle Marvel! Meanwhile Freddy's train lands him in King Kull's realm, thanks to the intervention of a mysterious, magical powered girl.
Both these issues, written by Josie Campbell are slightly better than her previous efforts, but still have a Saturday morning sit-com tone to them. The artwork by Emanuella Luppacchino and Mike Norton in issue 12 is the same as their previous issues, but issue 13's art is by Norton alone, and is a step better. Both these issues earn a C.