Man Of Steel Sequel to co-star Batman

At the San Diego Comic Con, Man Of Steel director Zack Snyder confirmed there will be a sequel, even though the movie dropped drastically from first place at the box office to tenth in only four weeks.  Further more, it will feature Batman. Perhaps, by putting Batman in the sequel is Warner Brothers' insurance policy that the movie will have better legs and not dive bomb off the box office like Man Of Steel did.  Will the new movie be titled World's Finest ?

While I liked Man Of Steel when I first saw it, and wrote my review, upon thinking about the movie more, I found I began to like it less and less.  A good example is Jonathan Kent.  Originally I thought how he died was moving.  But after thinking about it, I realised how dumb it was. I disliked the whole X-Files approach to the character and feel a more meaningful death is like in the original Richard Donner movie, where he dies and there is nothing Clark, with all his powers, can do to prevent it.  Here, Clark is just being ordered by Jonathan to do nothing. Really stupid the more I think about it.  The whole movie is kind of like that. 

There is a big question as to how Batman will be portrayed.  We do know this will be a rebooted Batman, and not the version from the Christian Bale-Christopher Nolan movies.  It looks like Snyder will have some major creative control as to how Batman is rebooted for the screen. It also brings up the question, "who will be cast as Batman?"  Snyder, at the Comic Con, had an actor read a line from Frank Miller's Dark Knight Returns after making the announcement.  Snyder was once rumored to be interested in filming a live action version of the Miller graphic novel.  This could lead one to believe Snyder's rebooted Batman will be very much influenced by Frank Miller, emphasised by the fact the new Bat emblem shown for the Man Of Steel sequel/World's Finest movie looks just like Miller's artwork (thankfully the awful Crow like emblem from the Nolan movies is history)... hopefully the new Batman costume will be better, also, and the new actor won't speak like he has throat cancer. But the bad news is David Goyer once again will be back to co-write the script.  Really, this guy is way over rated, and he has too much influence over the DC movies.  It's past due to bring in some fresh blood on this. Snyder should bring in Frank Miller to co-write the script with, and drop Goyer. This could also lead to Miller taking over as director for the Batman franchise when it spins off from The World's Finest.

Review: Batman '66 #1

You might want to check the weather report, as there may be a snowstorm in Hell right now. DC has done what was unthinkable just a couple years ago.  They have published the first issue of a new, on-going Batman series based on the 1966 TV show.  Batman '66 is not, however, a pure adaption of the series. That's a good thing, since the series strictly followed a set formula with a sameness to the episodes which caused the show to fizzle out very quickly.  In many respects, this series is more like a hybrid of the TV show, the 1968 Filmation cartoon which, while based on the live-action show, had a lot more action and variety to the storytelling, and mid-1960s DC Batman comic books.  Indeed, the first story in issue 1 showcases The Riddler, in all his Frank Gorshin glory, but with an extended action piece that would be inconceivable by the TV show's budget and primitive special effects technology.  The second story is part 2 of the Riddler caper, and introduces us to Catwoman, while the third story concludes the adventure. The art, by Jonathan Case, also captures Adam West's likeness to a T, as well as Burt Ward and Julie Newmar.  However, due to legal restrictions by the estates, the likenesses of Neil Hamilton, Stafford Repp, and Madge Blake could not be used. The design for those characters look very much like the ones used for the early installments of the 1966 Batman newspaper comic strip, itself based on the TV series rather than the comics.  Speaking of which, I'd love to see DC publish a spin-off TPB collecting the first couple years of the newspaper strips.  While the TV show was on the air, the strips apparently had TV series style humor and special guests, like Jack Benny! And the new comic also follows suite by having a Bat-climb window cameo (by Count Dracula).  The script by Jeff Parker, keeps the characters in the TV show spirit, but, thankfully, doesn't reduce the Dynamic Duo to buffoons the way most second and third season episodes did. Parker seems to mix in the flavor of TV show head scriptwriter Lorenzo Semple Jr with a dash of Paul Dini of Batman The Animated Series.  Issue #1 is something a Batman comic has not been in too long a time: fun. I also finally get to see the real Dynamic Duo in action again, instead of Bruce with one of the multitude of inferior replacement Robins (and please, DC, do not, DO NOT, DO NOT have Dick Grayson become Nightwing in this continuity!!!!).  Word has it the digital first copy has sold very very well.  If the print edition also becomes a big hit, who knows, this may have a positive effect on the wretched DCnU continuity, and perhaps even the next Batman movie. Batman '66 #1 earns an A.

Review: Curse Of Shazam, part 13

The final chapter of Curse Of Shazam in JUSTICE LEAGUE #21 begins with the seven deadly sins finding their host: Mr Bryer.  They posses him and he turns into a giant satanic beast.  Sivana, meanwhile, is experiencing the effects of magic on his un-enchanted body, as he becomes more troll like in appearance.  Cut to Black Adam with Capt... er, Shazam and the other kids. Adam tells them the seven deadly sins will burn the city to cinders, and only he can save it, if Billy surrenders his magic to him.  Upon Adam threatening to kill Freddy, Mary and the others, Capt... er, Shazam agrees, but then Francesca, via a reflection in a puddle, reminds him of the Wizard's words. He yells "Shazam!", but instead of surrendering the power to Adam, he has enchanted the other kids, creating The Shazam Family. 

 All six tackle Adam, as he fights back.  Capt... er, Shazam, tells the others to evacuate the streets, while he will take care of Black Adam.  There is a showdown between the two, as the others evacuate the city.  Mary is able to take on Bryer in his demon form.  Back at the showdown, Tawny stalks Adam, but he swats the tiger away.  Capt...er, Shazam reveals he has a kinship to the tiger, as visiting him at the zoo with his parents is one of his cherished memories, and considers Tawny family.  He quickly enchants Tawny, turning him into a battle cat, but he did the spell incorrectly, causing him and the other members of the Shazam Family to weaken as their enchantments fade.  Soon, the Family is back to their normal selves, as Adam and Capt... er, Shazam fight to a standstill.  He transforms back into Billy, and cons Adam into reverting back to his mortal self.  Within seconds, he ages hundreds of years, and dies.  Billy transforms back into his enchanted form, as the seven deadly sins leave Bryer, now able to roam free without a host upon Black Adam's death.  Bryer is humiliated one more time, as he stand naked in front of a crowd. Everyone cheers the new Champion of Magic.  It's Christmas morning, and Billy decides to stay with his new family at the Vasquez house.  Then a epilogue of Sivana, somewhere in New York, completely troll like in appearance, discovering  a talking worm who calls himself Mr Mind.

The final chapter was fairly good, much better than some of the previous chapters.  As predicted, the whole Shazam Family was brought in very quickly.  Not just Mary and Freddy, but the other three kids as well, which siphons the spotlight off  Capt... er, Shazam, and underscores he needs a team to defeat the enemy.  None of the Shazam Family's names were revealed, except for Freddy, who called himself "King Shazam". My guess his hair would turn black in the enchanted form, as a nod to Elvis, who had light brown hair naturally, and dyed it black when he became famous, did not happen.  Rather, King Shazam has long, Thor-like blond hair.  The epilogue is a certain lead in to an on going series, but none is planned at the moment.  Chapter 13 earns a B.

On the other hand, Curse Of Shazam in its entirety earns a C-.  It has some good moments, a couple good concepts, but often falls back on the same shtick that has prevented the DC version of the Captain Marvel character from soaring back to his Golden Age Fawcett greatness.  Many of the changes Johns made to the essentials of the characters are pointless, as they are not the problem.  The problem is keeping the character pigeon holed in a "Big in tights" mentality, albeit now with a slight Harry Potter twist to it.  Adding the three new kids only dilutes Billy even more.  Geoff Johns has a legion of fans who will blindly follow him wherever he leads.  They may insure the new "Shazam" is somewhat successful.  But to really get Captain Marvel back to his full glory, the only solution to me seems to be to bring in Alex Ross, perhaps with an assist by Mark Waid or Paul Dini, to give us the character as he was in the Justice miniseries.

movie review: MAN OF STEEL

Go big or go home.  Zack Snyder certainly did go big with Man Of Steel. The rebooted Superman movie, much like the 1978 original, is a three act play, and is probably the most sci-fi oriented telling of the character in its 75 year history.  Act One, as with the 1978 version, is Krypton. But unlike the Krypton of 1978, an albino desert with crystal architecture, this Krypton is a fully formed and thought out planet, futuristic yet rustic, punctuated by Jor-El (Russell Crow) hopping on a giant Kryptonian mosquito like an outer space cowboy (that's not the only Western theme in this movie, as you'll see later).  The movie starts on the birth of Kal-El, the first naturally born child in centuries on Krypton.  The Krypton sequence unfolds pretty much as expected, except a twist is that Zod (Michael Shannon, in a well delivered, wide-eyed mentally unstable performance) kills Jor-El right as the rocket with Kal-El launches.  Zod and his minions are rounded up and sentenced to the Phantom Zone, and Krypton explodes.

Act Two goes into a cut and paste of the Batman Begins script, but unlike that agonizingly boring movie, the inter cutting of flashbacks to tell young Clark Kent's history works much better here.  Clark is a nomad, travelling around, helping people when he can while keeping a low profile. At one point when Clark is hitch hiking, I half expected the old Incredible Hulk  TV show theme song to start playing.  The flashbacks to his childhood are well done, and in some cases heartbreaking. Like when Clark, upon told he is an alien and the answer to the question of life on other planets, begs Jonathan Kent (Kevin Costner, who gives the role a slightly cruel X Files spin) to continue to pretend he's his son, to which Jonathan embraces the boy saying he is his son.  Likewise a moment when a tornado is destructively tearing thru Smallville, and Jonathan runs into it to free the family dog. As Jonathan is about to meet certain doom, Clark is about to race to rescue his dad, only to have Jonathan decisively raise his hand for Clark to stop, so the witnesses will not see Clark use his powers, sacrificing his own life to keep Clark from revealing his alien nature.  We also get to see glimpses of familiar Smallville characters Pete Ross and Lana Lang, the latter played by an adorable Jadin Gould, who bears more than a passing resemblance to Kristin Kruek, the well loved Lana from the Smallville  TV series.

Lois Lane (the pretty but somewhat miscast Amy Adams) enters the scene as the military discover an alien craft in ice thousands of years old.  It turns out to be this movie's version of the Fortress of Solitude.  She meets Clark, and he saves her life when she trespasses into the Fortress setting off some security devices.  Back in Metropolis, she does some detective work and quickly learns the mysterious man of steel is Clark Kent from Smallville.  Clark, meanwhile, in the Fortress, enables a sort of computer program that has Jor-El's intellect, and it teaches Clark all about his history.

Act Three begins when Superman emerges from the Fortress, and starts pushing and experimenting with his powers, learning how to fly, perhaps the only moment in the film where Clark smiles (and I half expected the theme song from The Greatest American Hero to start playing).  Zod and his minions have located earth and warn the people to turn over Kal-El or there will be destruction.  After seeking guidance from a Catholic priest, Superman turns himself into the US military as a sign of good will in hopes to work together in reigning in Zod. The movie goes into full blown action-film mode at this point with one high octane action sequence after another, and lots of dizzying fight scenes, and so much collateral damage, you have to wonder if there is any spot in the US not destroyed by the end of the movie.  Once again a Western theme is highlighted in a High Noon type showdown between Superman and Faora (Antje Traue in a performance that schools Anne Hathaway on how to play a villainess), one of the all too few whimsical moments in the overly serious film.  After most of the Kryptonians are sent back to the Phantom Zone, and Superman is forced to take Zod's life in order to save several humans, as an after thought, we get to see Clark Kent, in glasses, getting a job at the Daily Planet, with a wink to Lois, who's in on the secret.

Man Of Steel is a definite improvement over the somewhat creepy Superman Returns, however what it lacked was one really great scene that would be the movie's crown jewel.  In Superman Returns it was unquestionably the plane and space shuttle rescue over the baseball field.  Man of Steel lacks such a moment,  or maybe in its third act, has so many of those moments, none can stand out.  Henry Cavill does a good job in the role with the material he's given.  He does not imitate Christopher Reeve, as Brandon Routh did.  But he doesn't quite make the role his own, either. There are some shots where I thought he looked too much like Tom Welling. He lacked some personality, as there is virtually no humor in the movie.  Superman can have some gloom and darkness, but he still has to have some hope, as the great new retro-Fleischer S shield is supposed to be the Kryponian symbol for. Ironically Cavill's performance and the movie in general have a bit of a "hopelessness" air to it.  The film would have benefited with some more humor and a little less of Clark crying or screaming. As mentioned, Amy Adams is somewhat miscast as Lois. She comes off as too sweet.  Lois is supposed to have a "hot bitch" quality to her that Adams just doesn't have.  Mila Kunis, who was in the running for the role, would have been a better choice.  Laurence Fishburne's Perry White, Rebecca Buller's Jenny Olsen (the gender changed Jimmy Olsen) and Michael Kelly's Steve Lombard all were fairly generic with no real characterizations.  The Daily Planet staff seem to be in the movie simply because they have to be.  In that regard, Superman Returns did a better job.  I always felt David Goyer was over rated, and with The Dark Knight Rises and Man Of Steel under his belt, it seems a lot of fans are starting to feel that way, also.  Hans Zimmer's score, as with his three Batman movies, is instantly forgettable.

All in all, despite getting some things wrong, I enjoyed Man Of Steel and thought it was a better movie than Superman Returns and Batman Begins and equal to or even slightly better than The Dark Knight Rises. However, it didn't surpass The Dark Knight, which is what DC and WB needed for Man Of Steel to be the tent pole of an entire DC Universe franchise of movies.  Can it still happen? Possibly.  Depends on how the final box office looks. After all, Superman Returns made a profit.  It just didn't make a super profit.

Review: Curse Of Shazam, part 12

The penultimate chapter of Curse Of Shazam in JUSTICE LEAGUE #20 starts where the previous chapter left off, with Black Adam holding Billy by the mouth.  Adam berates Billy a little, then through some magic lightning connecting their eyes, Billy gets to see the real origin of Black Adam. Both the boy Aman and his uncle are at the Council of Eternity at the Rock of Eternity.  It is revealed each member of the council chose a mortal to be their champion. The main wizard, who now reveals that his name is indeed Shazam, chose Aman, but the boy asks that the Wizard save his injured uncle.  Shazam tells them both to speak his name, and both will be his champions, as Aman sharing the power with his uncle saved him.  They do, and both go on to free their people from the evil of Ibac.  But then the uncle wants to become more aggressive in dealing with evil, but Aman refuses, saying how the Wizard wants this to be an era of mercy.  It is revealed the uncle's name is Adam, and the next time the two speak the magic word, at the moment of the transformation Adam kills his nephew, absorbing the full power for himself.  Billy now knows what kind of a man Black Adam is.  Now Adam wants to kill Billy and absorb his power as well, but the other four kids ram into Adam with a truck, knocking Billy free, allowing him to transform back into Capt... er, Shazam.  Capt...er, Shazam snarls he will not run from Adam anymore, but Adam has Mary and Freddy by their throats, and is stepping on the other three.

The new twist on Adam's origin is part rehashing Captain Marvel Junior's classic origin and part setting a precedent for the Flashpoint concept of multiple people becoming the champion, which I bet will be part of the conclusion having all six kids unite to form a more powerful version of Capt... er Shazam in order to defeat Adam (also recalling the Wizard's comment to Billy that his family will be his greatest power).  We'll see if I'm right, as the conclusion to this story is next month.  Chapter 12 earns a C.