1950s Rock 'n Roll has always been my favorite type of music. One of the most durable 1950s revival acts is Sha Na Na, who formed in the late 1960s, recorded several albums for Kama Sutra Records in the early to mid 1970s, then hit their height in popularity in the late 1970s and early 1980s after they were dropped by the record label, and signed on to do a weekly syndicated variety show, and appeared in the movie Grease. I remember as a child, their TV series was must see TV. While I was a big Elvis fan as far back as I can remember, and I was very aware of, and liked, Jerry Lee Lewis, Chuck Berry, Buddy Holly, Little Richard, and Bill Haley before I knew of Sha Na Na, it was thru their TV series I discovered doo-wop and many of the other 2nd and 3rd tier Rock 'n Roll songs and acts of the '50s. During the stay at home order, I rediscovered clips of the show on YouTube. That led me down a rabbit hole to search out other live concert clips, and ultimately to buy BGO Records' 2014 remastered set of their original Kama Sutra albums. Previous to this, I did own a CD greatest hits collection, Grease for Peace, and as a child, a vinyl record, The Best of Sha Na Na. So, here are my brief thoughts and comments on the original albums.
The Golden Age of Rock 'n Roll. For their 4th album, from 1973, the group got back to what made them: 1950s music. This became their best selling album, and it was a two record set. Side 1, much like their debut album, was studio covers of classics, done very well. Sides 2 thru 4 are a live concert, showcasing Sha Na Na at their best. It turns out, that first Sha Na Na record I owned as a kid, The Best of Sha Na Na, was an abridged 13 track version of the live concert sides, so I was quite familiar with this record without ever realizing it. To show what kind of impact this record had on me, every time I hear "Great Balls of Fire", whether its the Jerry Lee Lewis version or a cover, just before the instrumental break, in my mind I always hear "great balls of Vinnie Taylor". I became a big fan of Dion DiMucci in part because of the cover of "Teenager in Love" on this album. Right up there with their debut album, this one is an essential classic.
From the Streets of New York. Their 5th album, from 1973, is unique. It consists of studio tracks covering more classic Rock 'n Roll songs, but intercut between each track is an excerpt from a live concert (perhaps left over from the recording of their previous concert album) where the group holds a dance contest with girls chosen from the audience paired up with Donny, Denny, and Santini, with Bowzer serving as the host. This adds comedy to the album and make for a unique listen. In a way, this record is like a sneak preview of what their TV show will be like. Speaking of which, this album includes the debut of David "Chico" Ryan on bass guitar, replacing Bruce "Bruno" Clarke. One negative for this record is it seems the mixing is weak (at least the BGO reissue that I have), with music tracks buried in the background, and vocals with a low-fidelity effect.
Hot Sox. Their 6th album, from 1974, does what the single "Payday" did: strikes a perfect balance between a retro-1950s style and a contemporary sound. Hot Sox is arguably Sha Na Na's best album, at least in regards to original material. The album kicks off with "Maybe I'm Old Fashioned", which is right up there with "Payday" as one of Sha Na Na's best original songs. The album's title track "Hot Sox" is a great novelty number, written by Santini, with Bowzer on lead vocals. "Stroll All Night", "Too Chubby To Boogie", and "Dreams Come True" are the other original songs on the album, and all are great. And as usual, they do a great job on the covers of classic songs. One tragic side note to this record is that it is lead guitarist Vinnie Taylor's final appearance, as he would tragically die after its completion. To replace him, "Dirty Dan" McBride was brought in, and the classic line up from the TV show era is complete.
Sha Na Now. Their final album on the Kama Sutra label repeats the formula from The Night Is Still Young. Mostly originals, mostly contemporary, which for 1975, is disco. Yes, Sha Na Now is a disco album. Perhaps a better title would have been Sha Na Na Sell Out. This one was tough for me to get through. Without a doubt, their worst album. The best song on the album is the Jocko-penned "Chills In My Spine", which is the only track I would make an effort to listen to again. No surprise, it sounds like it would have fit better on Hot Sox. The runner up for best song is "Party Lights", although it sounds derivative. "Basement Party", co-written by Chico, has potential, but is ruined by the disco backing track. Likewise, I like the vocal arrangement for the cover of "Runaway", but the disco backing track ruins it. The cover of "Breaking Up Is Hard To Do" is all right, but frankly, the version by The Partridge Family from around the same time, is much better. I hope whatever record executive suggested they do a disco album was fired, after being tarred and feathered.
After this, they were dropped by Kama Sutra, but would soon have their own syndicated TV variety show, that would ensure their popularity among kids, while showcasing them at what they were best at: being a live band. I sure wish a cable network like MeTV, FETV, UP TV, POP TV, or INSP would start airing reruns of Sha Na Na.
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