Thursday, August 18, 2011

Popeye: "War Of The Nightclubs"

As I reported in a previous post, Popeye will be returning to comic books in an all-new series from IDW.  To celebrate this, I thought I would post an original Popeye short story I wrote for the Official Popeye Fanclub a few years ago.  In this story, I wanted to combine the best elements of E.C. Segar's comic strips and Max Fleischer's cartoons, a path I hope IDW will also take (but leave out the weak attempts to be topical, like the "Iron Giant" line, something I wish I could edit out).  Special thanks to Mike Brooks, president of the Official Popeye Fanclub, and to Donnie Pitchford, who did the artwork for the story.  Donnie is also currently the writer-artist of the new Lum and Abner comic strip, which everyone should check out, and request their local newspaper to pick up for their Sunday funnies.

To see the scans in a larger size, just click on each page, then left click on the image and right click "Properties". On the pop up, copy and paste the address (URL) in a new tab or window. Then click on the new image to make it larger.   Simple, huh?

Page 1
Page 2
Page 3

Tuesday, August 16, 2011

What If Elvis Lived?

I'm a lifelong Elvis fan, and one of the things I've often thought about is, what if Elvis lived into the 1980s and 90s. What kind of music would he have recorded? If you look at his evolving styles of the previous decades, it may give you an idea of where he was headed. When he started out at Sun Records in the mid 1950s, he was pure rockabilly: a simple blend of blues and country.  By time he signed to RCA, his repertoire expanded in favor of harder, blues based rock 'n roll and doo-wop inspired ballads.

After his stint in the Army, he took on a softer pop sound, though still laced with some harder blues.  His first post-Army album, Elvis Is Back! is one of the greatest rock albums in history, highlighted by a pair of blues tracks, "Reconsider Baby" and "Like A Baby".  During the "Hollywood Years" of the 1960s, his movie soundtrack albums were pure bubblegum. In 1967, Elvis got back to his blues based rock 'n roll roots at a recording session that featured Jerry Reed on lead guitar. The next year, he made his famous "1968 Comeback Special" which highlighted blues and gospel performances. He followed that in the next year with what could be considered a pure soul and blues album, From Elvis In Memphis.  From there he went to Las Vegas with a Country rock sound.  As the 1970s rolled on, his sound became more Country, although he still dabbled in some isolated blues style tracks such as "If You Talk In Your Sleep" and "Got My Mojo Working".  By the time of his death in 1977, America was at the height of a 1950s revival, and Elvis was releasing many 1950s inspired tracks, such as "Little Darlin'", "Way Down", and "Pledging My Love".

My own personal speculation is, in the late 1970s and through the 1980s, Elvis would have adopted a rhythm and blues sound not unlike The Blues Brothers, or perhaps The J. Geils Band, perhaps with some rockabilly mixed in, as it was having a revival at this time thanks to the Stray Cats.  He would have dropped the full orchestra and string section he had been using on his albums and concerts throughout the 1970s, and would have revamped his band to include a four piece horn section.  Perhaps, after John Belushi died, Elvis may have even tapped members of the Blues Brothers Band for his own band.  The line up may have been something like Scotty Moore, bandleader and guitar; Matt Murphy, lead guitar; Floyd Cramer, piano; Booker T. Jones, Hammond organ; Donald Dunn, bass; Ronnie Tutt, drums; James Cotton, harmonica; and the horn section: Alan Rubin, Tom Scott, Tom Malone, and Lou Marini; and The Jordanaires on background vocals.

Also gone would be the jeweled caped jumpsuits that signified the 1970s. In the 1980s, he would have gone back to performing in bright color sport coats, as he did in the 1950s, and would have trimmed his hair and sideburns back to the style he wore on the 1968 Comeback Special.

In the 1990s, I think Elvis would have moved on from his rhythm and blues sound, and would have taken on more of a Country pop sound that became popular in that decade under the brand name "Young Country".  But the difference with Elvis would be, I would think, he would make it a little more bluesy and perhaps even have a slight grunge edge, unlike the typical "Young Country" artists of that era.  He would let his hair go slightly gray with shorter 1950s era sideburns, and his sport coats would be in darker colors.

By the late 1990s and into the 2000s, I think Elvis would be performing in tuxedos and his sound would be more middle of the road pop, but still with a slight rockabilly or blues edge to it. I think he would also be embracing the doo-wop revival that began at this time, and is still going today.

Monday, August 8, 2011

The new Man Of Steel revealed

Warner Brothers released the first image of Henry Cavill as Superman for the upcoming movie, The Man Of Steel.

I really like this. Infinitely better than the Brandon Routh costume. The dork in me will point out the "S" emblem is very retro, looking like the one from the costumes worn by Kirk Alyn (the serials) and George Reeves (the TV show). Also the design on the sleeve wrists look just like the artwork from Superman's first appearance in 1938's "Action Comics" #1 (the wrist design disappeared after that one issue). The colors are a little darker than the traditional comics, but it still looks "correct", unlike the hues used on the Superman Returns costume.  My only complaint would be I think they went overboard on the scale texture. I really hope the all-yellow "S" is on the back of the cape. Also the composition of the photo itself, of Superman in front of an over sized safe door, is similar to one of the panels from "Action Comics" #1.  This tells me director Zach Snyder will not be emulating the Christopher Nolan Batman films (a series I'm not too fond of) of shoehorning a superhero into an ultra-realistic setting, but may be going the Sam Raimi Spider-Man route of painstakingly recreating the earliest comics. There also seems to be a slight Tim Burton feel to the photo as well.  Snyder has also said his Superman will have lots of action, unlike all the previous movies and TV series, which were very light on action preferring to focus more on relationships.  All this has me anticipating The Man Of Steel.  The one thing that could negate the excitement is the realization David Goyer is writing the script. Not too fond of his work, so hopefully Snyder or some script doctors will be on hand to make the script the best it could be. So far, it's looking good.
UPDATE: Some candid photos of Cavill in the Superman costume got online confirming the cape does not have the yellow "S" emblem, and there are no red trunks. In these pics, the costume looks too much like Captain Marvel Jr's.  Without the cape's "S" emblem and the red trunks, the costume looks incomplete.  Some of the enthusiasm from the original released photo has evaporated, unfortunately.