Review: Laurel & Hardy Meet The Three Stooges

From American Mythology comes a crossover of two of the most loved comedy teams of all time. Historically, this is not the first time these two legendary teams have crossed paths. The 1934 MGM movie Hollywood Party featured an all star cast including the Stooges (with their original leader Ted Healy) and Stan and Ollie, although they did not share a scene together.  Healy and the Stooges, early in their film career, have a brief bit in the first half of the movie, while Stan and Ollie, at the peak of their popularity, get significant screen time in the film's third act.  This comic book extravaganza casts the Stooges as handymen and Stan and Ollie as movers, who end up working for the same client. The two teams meet on the job site and hilarity ensues. Writers SA Check and James Kuhoric get both teams characters down pat and put them in funny situations, however there is one scene when the two teams meet and there are several panels of them introducing themselves and shaking hands that just didn't work for me, as it came off as kind of pretentious.  Early in there is a nice Easter Egg referencing Larry Harmon and Ted Healy (although the latter's name was misspelled).  The art by Diego Tapie captures the Larry Harmon cartoon look for Stan and Ollie while also giving the Stooges a design in line with their looks from the cartoons produced by Cambria Studios. This issue earns a solid A.

Double Review: Three Stooges Astronuts and Laurel & Hardy #1

The Three Stooges Astronuts features a new lead story that is similar to the boys' later space themed shorts and features, but on a much larger scale that a comic book can illustrate opposed to the low budget of two-reelers or b-movies.  The script by S.A. Check faithfully captures the mayhem of the latter day Stooge space exploits, and the artwork by Brendan and Brian Fraim is, as usual, excellent, with gray tones by Dan Conner (hey, wait... the Roseanne guy?) giving it a vintage look. My one critique would be, since this is a space themed installment, it might have been better to have Joe Besser or Joe DeRita as the third Stooge instead of Curly Howard.  The second story is a reprint, and like the previous issue, it suffers from a crude xerox black & white look.  It would be better if the reprints that were originally in color were reprinted in color.  This issue earns a B.

Laurel & Hardy #1 (it has yet to be seen if this series will have normal numbering or will follow in the Stooges' footsteps by having all #1 one-shots) presents three stories, all in color.  The first one written by S.A Check, is well done, and I might hazard to say his style may be a better fit for Stan and Ollie than the Stooges.  The second story is written by Jordan Gershowitz, and captures the feel and tone of the classic Hal Roach two-reelers.  Both stories are drawn by Jorge Pacheco, who perfectly interprets the classic Larry Harmon character designs with a slightly more modern look.  The third story is a classic Larry Harmon-era reprint and holds its own opposite the new material.  This issue earns a B+.

movie review: STAN & OLLIE

This dramatized biographical film, directed by Jon S. Baird, stars Steve Coogan as Stan Laurel, and John C. Reilly as Oliver Hardy, telling the story of the famous comedy team's final bow on a tour of the United Kingdom in 1953.  The film opens in 1937, on the Hal Roach lot, of the team filming their movie Way Out West, to introduce the characters and set up the story. Roach has the duo signed to separate, staggered contracts, which limits their power of negotiating. In this scene I quickly noticed a mistake.  On the Roach lot, there is a poster of the Little Rascals.  The "Little Rascals" name did not exist at that time.  It was a title created for the films' TV syndication in the 1950s.  The series was originally titled Our Gang Comedies and the group of kids were billed as "Hal Roach's Rascals", although by the mid 1930s, both the series title and the group of kids were streamlined to simply "Our Gang".

We skip ahead to 1953, and the team, despite failing health, embark on a tour of the United Kingdom in hopes to get financing for one more movie. There is heart, humor, and a bit of drama.  Coogan and Reilly do a magnificent job portraying Mr. Laurel and Mr. Hardy, and one of the highlights of the film is to see these guys doing comedy bits off stage in "real" life, not so much for the entertainment of others, but for their own amusement. The film also portrays their wives, played by Shirley Henderson and Nina Arianda, as an entertaining comedy team in their own right. One thing I find unique about Laurel and Hardy is that they were not an "organic" comedy team, like The Marx Bothers, The Three Stooges, or Abbott and Costello.  Much like The Monkees are considered a "manufactured" band, Laurel and Hardy were a "manufactured" comedy team, put together by Hal Roach.  And like The Monkees, it was the right combination that resulted in magic.  This movie is well made, and it shows on the screen. This film is in limited release, but if you happen to have in playing in your town, be sure to see it.